Friday, March 31, 2006

Thank Goodness Sharon Stone’s Basic Instinct Is Not to “Act her Age”!

I have not yet seen Basic Instinct 2, but I already know that Sharon Stone is the only reason why I should even bother to. She is one the last few great movie stars; no matter what people say, no matter how out there she may appear, Stone's hot in every sense of the word.

(That, and word on the street is the movie’s a lemon.)

Sure, it can be argued that Stone’s sole big hit, 1992’s original Basic Instinct, is her only claim to fame, but that would be terribly myopic.

Stone’s turn as Catherine Tramell was a memorable breakthrough (one, I would imagine, quite difficult to follow up), but she has continued to bask in the glory of her Sharon Stone-ness ever since.

Her next choices proved rather eclectic, gambits that sometimes paid off (her Academy Award-nominate performance in Casino, The Muse) and oftentimes didn’t (Sliver, The Quick and the Dead, Catwoman).

Meanwhile, there she was making heads turn on many a red carpet (who could forget her inventive Gap-and-Valentino Oscar look at the 1996 Oscars, or the time she wore her husband’s shirt paired with Vera Wang to the same event a few years later).

And there she’s been passionately raising money for AIDS research and advocating gay rights. No one understands the Art of Being Sharon Stone better than Stone herself, and it takes talent to stay in the spotlight in the way she has considering how much she’s been dismissed (for instance, she became part of a hilarious Margaret Cho joke once).

Today, Stone is on a new and exciting path toward finally proving us all cynical. Last year, she appeared in Broken Flowers, in a role that earned her kind reviews from critics and the few who saw the movie.

This year, aside from Basic Instinct 2, she’s readying to open Alpha Dog and Bobby, two highly awaited ensemble indies.

Going back to Basic Instinct 2, though, a lot has been done over the fact that Stone is reprising her star-making role as the sexually charged Tramell, especially over the nudity that the movie required. Many have, in fact, said that Stone should “act her age” (she turned 48 March 10).

Talk about ageism…and sexism!

Stone's hot, and if she’s shown us anything over the years it is that she’s game.

Why wouldn’t she take it all off for a role – after all, she can! When I think of her I think of sex. I certainly wouldn’t expect her to seduce her way out of trouble in a cute cardigan; Tramell (and Stone to a certain extent) is a sexual being – hello!

Oh, but it’s not appropriate for a woman her age to show so much skin, to be sexual.

Cry me a river and eat my shorts! I think it is way more appropriate for her to do it than it is for any of the pop “stars” that have helped strip the luster off the term “star."

As long as she’s comfortable – and let’s face it, looks as hot as she does – and in control (I’m sure no one forced her to take her clothes off, which is more than the aforementioned starlets can say…and probably makes men a bit nervous), then Stone can do whatever she wants.

And for that, if nothing else, I will try and go see Basic Instinct 2.


Photo: Columbia Pictures.

Wednesday, March 22, 2006

MGLFF Announces Upcoming Lineup

The celebrated 8th Annual Miami Gay & Lesbian Film Festival (MGLFF), presented by Sundance Channel and Avis Rent-a-Car, announced its upcoming lineup of the best gay, lesbian, bisexual, and transgender films that will be featured during the 10-day Festival April 21-30.

Screenings for this year’s MGLFF will take place at Regal Cinemas South Beach, the Gusman Center for the Performing Arts, the Colony Theatre in South Beach, and the Gateway Cinemas (located in Fort Lauderdale).

MGLFF will kick-off on Friday, April 21, with the Opening Night Gala presentation and East Coast Premiere of Manuel Gòmez Pereira’s Reinas (Queens), at the Gusman Center in Downtown Miami, followed by a spectacular party presented by Karu&Y Restaurant at The Space Miami. (Director Manuel Gòmez Pereira will attend the screening to discuss the film with the audience.)

On Wednesday, April 26, the Festival will present the Centerpiece Gala and Florida Premiere screening of Whole New Thing by Amnon Buchbinder, at the Colony Theater. An after-party at the Hotel Nash, which will be transformed into a Miami Beach Cinemathèque-guided tour through multimedia artists’ work and down the darkened hallways and through the private quarters of the hotel, will follow. (Writer-director Amnon Buchbinder will attend the screening to discuss the film with the audience.)

The Festival will close on Sunday, April 30, with the Closing Night Gala and Florida Premiere screening of Todd Stephens’ hysterical comedy Another Gay Movie, featuring a star-studded cast that includes Graham Norton and Scott Thompson, at the Gusman Center. An exciting party at the historic Alfred I. Dupont Building will follow. (Director Todd Stephens and actor Darryl Stephens will attend the screening to discuss the film with the audience.)

This year, MGLFF will also pay tribute to the acclaimed independent film distributor TLA Entertainment Group, which will be presented with a special MGLFF Tribute prior to the screening of 20 Centimeters, on Saturday, April 22, at the Colony Theater. TLA Releasing will be celebrating 25 years in the industry, having released such audience favorites as Latter Days, The Fluffer, Bulgarian Lovers, and Bear Cub (Cachorro). (TLA president Raymond Murray and partners Patrick Murray, Eric Moore, Claire Brown Kohler, and Richard Wolff will attend the screening.)

The HBO Career Achievement Award will be presented this year to prolific French director François Ozon (8 Women, Swimming Pool). A one-man industry in his native country, Ozon has delivered eight features in a seven-year period. While it would be easy to assume that Ozon prefers stories that contain gay themes, the recurrence of GLBT story lines in his narratives, coupled with the director’s out status, make his mark in filmmaking fairly unusual, and thus worthy of attention and recognition. (The award will be presented on his behalf to actor Melvil Poupaud prior to the U.S. Premiere of Time to Leave, on Friday, April 28, at the Regal Cinema South Beach.)

For more information, visit
www.mglff.com.

Photo: IMDb.com.

Thursday, March 16, 2006

USA Today Offers Sneak Peek at Superman Returns

USA Today has a sneak peek at the upcoming Superman Returns (June 30), which includes an interview with the new Man of Steel, newcomer Brandon Routh ("Male Star of Tomorrow" according to ShoWest, the largest gathering of motion picture professionals and theatre owners from around the globe).

The real find, however, is the nifty gallery of stills from the movie, including images of a brunette Kate Bosworth (Blue Crush) as Lois Lane, and a bald Kevin Spacey as Lex Luthor.

The movie also features frequent scene-stealer Parker Posey, James Marsden (X-Men), Frank Langella, and Eva Marie Saint, and was directed by Bryan Singer (The Usual Suspects, X-Men).
To view these exciting images, click here.

Photo: Warner Bros.

Wednesday, March 15, 2006

Mission: Impossible III Trailer Premiere

Paramount Pictures will premiere an exclusive look at one of this summer’s most highly anticipated action-thriller, Mission: Impossible III, as Tom Cruise introduces the new trailer across MTV Networks on Thursday, March 16, during the 10 p.m.-11 p.m. block.

The movie, starring Cruise and a cast that includes recent Academy Award-winning actor Philip Seymour Hoffman (Capote), franchise veteran Ving Rhames, Michelle Monaghan (North Country), Keri Russell (TV’s Felicity), Billy Crudup, and Jonathan Rhys Meyers (Match Point), among others, was directed by J.J. Abrams, the mastermind behind TV’s Alias and Lost.

M:i:III opens on May 5.

Photo: Paramount Pictures.

Friday, March 10, 2006

Failure to Launch

The improbable happens in director Tom Dey’s Failure to Launch: Matthew McConaughey plays a "loser" who still lives at home with his folks, who in turn have had to hire Sarah Jessica Parker to help him get his act together and out the house.

Yeah – like McConaughey would have such a problem. He so probably doesn’t, which is why Failure to Launch is escapism at its semi-finest.

Amusing moments? Check. Sun-kissed, chemistry-blessed leads? Check. Satisfying resolution? Like you even have to ask!

In the movie, the reigning Sexiest Man Alive plays Trip, a ruggedly handsome thirtysomething man who still lives with mom and pop. And why wouldn’t he? The place is quite nice and his every need and want is tended to – no wonder he says ''it's gonna take a stick of dynamite'' to get him out.

His parents (played by Terry Bradshaw and Kathy Bates) are rather unhappy with the situation, though (yet they hardly ever stop to ponder whether they have enabled their son’s arrested development). After all, Trip is just swell and seemingly well adjusted, so why hasn’t he flown the coop?

Naturally, they come up with the perfect solution (in theory only – don’t forget this is a romantic comedy) and hire Paula (Parker), a professional motivator, to give Trip the little push he needs to grow up. This, of course, sets in motion the events that will make Failure to Launch tick…or not.

An intriguingly plotted movie that launches all right, but fails to keep its audience captive, especially when its two leads aren’t on screen together, Failure to Launch is frequently derivative and lacks focus (what’s with Dey’s random scenes with animals, anyway?).

The thought that a man as good-looking and charming as McConaughey could ever be such a "loser" seems preposterous (thank goodness Trip’s more than meets the eye, even if this eventual revelation is played too by-the-book).

But any movie that has a character asking another if they want to spend the rest of their lives having fun or if they want to spend it with them is well worth the bother, if you ask me. I just loved that Paula asks Trip this at one point.

And McConaughey and Parker – in yet another (agreeable still) variation of the quintessential It Woman she perfected so lovely on HBO’s Sex and the City – have an exciting rapport and complement each other famously. And they photograph together rather handsomely.

Also noteworthy are Bradley Cooper (TV's Alias, Wedding Crashers), Justin Bartha (National Treasure), and Zooey Deschanel (All the Real Girls) as Trip and Paula’s best friends, who pop in long enough to help better (though not always successfully) establish their motives.

Everyone, however, looks as if they are, in fact, working instead of enjoying the story and the New Orleans background, which is where the movie shot last summer. Watching these characters flutter around against stimulating a background should help you enjoy Failure to Launch just fine.

My Rating **1/2

Photo: Paramount Pictures.

Thursday, December 29, 2005

2005: The Year in Review

Oh, 2005 – I liked you so.

Lagging box office and behind-the-scenes antics notwithstanding (on-set shenanigans of every kind, Russell Crowe’s phone throwing, Tom Cruise’s spinning out of Cruise Control), 2005 was actually quite good.

So here’s a review of the year that was. Happy 2006!

Truest Tagline: Rent’s No Day But Today

Cheekiest Poster: The Family Stone

Best Poster: (tie) The 40-Year-Old Virgin and Walk the Line

Best Fight: King Kong vs. several V. rexes, bigger and meaner evolutions than T. rexes (King Kong)

Sexiest Fight: Brad Pitt vs. Angelina Jolie (Mr. and Mrs. Smith)

Best Chemistry: Vince Vaughn and Owen Wilson (Wedding Crashers)

Sexiest Duo: Daniel Craig and Sienna Miller (Layer Cake)

Everyone Should See It (When It Comes Out on DVD): In Her Shoes

Everyone Should Have Seen It (But Wasn’t Released in Movie Theaters): Madonna’s I’m Going To Tell You A Secret

You Should Be Sorry You Missed It (But I Forgive You): (tie) Layer Cake and Serenity

Some TV Shows Do Deserve the Big Screen Treatment: Serenity (based on the brief Firefly)

Others Not So Much: Bewitched, The Dukes of Hazzard

Best Props: The shoes of In Her Shoes

Best Costumes: Memoirs of a Geisha

Not As Arresting As Her Costumes: Jessica Simpson in The Dukes of Hazzard

Most Villainous: Cillian Murphy (Batman Begins, Red Eye)

Biggest Scene-stealer: Wedding Crashers’s Isla Fisher

So Didn’t Quite Fit In: Batman Begins’ Katie Holmes

Best Line Delivery: Reese Witherspoon's "Baby, baby, baby, baby..." as June Carter in Walk the Line

Best Comeback: Batman (Batman Begins)

Best Show of Skin: (tie) Jake Gyllenhaal in Jarhead and Garrett Hedlund in Four Brothers

Sexiest Man Alive Indeed: Matthew McConaughey (Sahara)

Hot: Jessica Alba’s leather chaps-and-bra and lasso bar top dance (Sin City)

Not: Paris Hilton on film, death scene notwithstanding (House of Wax)

Biggest Crowd-pleaser: March of the Penguins

Most Riveting: Documentaries (Mad Hot Ballroom, March of the Penguins, Murderball)

Most Popcorn: Mr. & Mrs. Smith

Guiltiest Pleasure: Herbie: Fully Loaded

Loveliest Classic Adaptation: Pride & Prejudice

Loveliest Contemporary Adaptation: Shopgirl

Most Underrated: Prime

Musical MVP: Composer Danny Elfman (Charlie and the Chocolate Factory, Tim Burton’s Corpse Bride)

Sweetest MVPs: The mentally challenged actors in The Ringer

Hooray For: Domino’s Mo’Nique

Best On-Set Shenanigan: Brangelina (Mr. and Mrs. Smith)

No one Cared About This One: The supposed rivalry between Jennifer Lopez and Jane Fonda (Monster-in-Law)

Having the Best Year Ever: Penguins (Madagascar, March of the Penguins)

Wishing She Was a Penguin: Jennifer Aniston (Brangelina; Derailed flopped)

Most Disappointing: (tie) Elizabethtown and movie musicals (Rent, The Producers)

Way Too Hyped For My Taste: Brokeback Mountain

Can't Get Enough – Female: (tie) Elizabeth Banks (Heights, The 40-Year-Old Virgin) and Keri Russell (The Upside of Anger)

Can't Get Enough – Male: Daniel Craig (Layer Cake)

Most Promising: Dakota Fanning (War of the Worlds)

Breakthrough Performance – Female: Rachel McAdams (Wedding Crashers, Red Eye, The Family Stone)

Breakthrough Performance – Male: Steve Carell (The 40-Year-Old Virgin)

Most Deserving of Getting to the A-List: Terrence Howard (Crash, Hustle & Flow, Four Brothers)

The Best Film I Failed To See and Review: The Squid and the Whale

Best Indie Ensemble: Heights (Glenn Close, Elizabeth Banks, Jesse Bradford, James Marsden, John Light)

Best Mainstream Ensemble: The Family Stone (Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson)

Best Supporting Actresses: Amy Adams (Junebug), Diane Keaton (The Family Stone), Shirley MacLaine (In Her Shoes), Scarlett Johansson (Match Point), Michelle Williams (Brokeback Mountain)

Best Supporting Actors: Kevin Costner (The Upside of Anger), Matt Dillon (Crash), Paul Giamatti (Cinderella Man), William Hurt (A History of Violence), Andy Serkis (King Kong)

Best Actresses: Joan Allen (The Upside of Anger), Felicity Huffman (Transamerica), Gwyneth Paltrow (Proof), Naomi Watts (King Kong), Reese Witherspoon (Walk the Line)

Best Actors: Philip Seymour Hoffman (Capote), Terrence Howard (Hustle & Flow), Viggo Mortensen (A History of Violence), Joaquin Phoenix (Walk the Line), David Strathairn (Good Night, and Good Luck)

Best Screenplays: A History of Violence (Josh Olson), Capote (Dan Futterman), Crash (Paul Haggis and Bobby Moresco), Good Night, and Good Luck (George Clooney and Grant Heslov), Match Point (Woody Allen)

Best Directors: Woody Allen (Match Point), George Clooney (Good Night, and Good Luck), David Cronenberg (A History of Violence), Paul Haggis (Crash), Peter Jackson (King Kong)

10 Best Films of the Year: (in alphabetical order)
A History of Violence
Capote
Crash
Good Night, and Good Luck
Hustle & Flow
In Her Shoes
King Kong
Match Point
The Upside of Anger
Walk the Line


Photos: Columbia Pictures (Rent); Sony Pictures Classics (Layer Cake); Columbia Pictures (Memoirs of a Geisha); Dimension Films (Sin City); DreamWorks (Madagascar); DreamWorks (Red Eye); Universal Pictures (Cinderella Man); Universal Pictures (King Kong).
Welcome to Brokeback Mountain

To review Brokeback Mountain I had to keep in mind two different things: the movie’s undeniable cinematic quality and its political assignations. Here’s the thing: Ang Lee’s "gay cowboy movie" (I strongly dislike that easy description) disappointed me, and here's why.

The movie follows the story of two cowboys (Heath Ledger’s repressed Ennis Del Mar, and Jake Gyllenhaal’s optimistic Jack Twist) who are sent to wrangle sheep on a Wyoming mountainside in 1963 – the titular Brokeback Mountain – and end up falling in love with each other.

The story then unfolds over two decades, during which the two men marry women they don’t love (played by Michelle Williams and Anne Hathaway), and live their lives looking forward to the "fishing" trips that serve as their clandestine journeys back to Brokeback Mountain, Ennis and Jack’s love’s safe haven.

The movie’s quite good-looking and well paced, thanks to Lee’s skilled direction and script, and boasts revealing performances by Williams, Gyllenhaal, and Ledger especially. The love story is epic, but then again the movie isn’t. I’m afraid that it is just much too introspective and its emotional climax arrives much too late.

The script, based on Annie Proulx’s award-winning 1997 New Yorker short story, while full of emotion, lacks the one redeeming scene that would’ve made Brokeback Mountain otherwise great. Something was missing – no, not the sex…that we get, and it’s honest and dignified – and that is why I was disappointed.

For this I cannot jump on the Brokeback Mountain bandwagon. Many in the GLBT community see this movie as a step in the right direction, yet I found it to be more comfortable than comforting. Read on as my very special guest, E! Online’s Ted Casablanca, and I discuss Brokeback Mountain.

First let me thank you for doing this. It’s the first time I’ve invited someone to discuss a movie with me – I figured it would be a holiday treat. So, we've both seen the movie, and to be honest I didn't think it lived up to the hype that surrounded it...and something was off with the story. What did you think about it?

Ted Casablanca: It’s not that it didn’t live up to its hype – it’s quite glorious, actually, just gorgeous stuff. But, I’m friggin’ sick of the tragic end to gay movies. It’s enough.

I know! Take away the gay factor, and it's Cold Mountain. The end was what it was, but what did you think of the core relationship? Was it believable or not?

TC: Believable for 1963, for sure. But, I’m sick of stories that still have us stuck back when it was okay to keep your sexuality tighter than Nicole Kidman’s face. Enough, already! Gimme some damn progress here, don’t ya think?

Totally – so far we've had to settle for touch-and-go or cartoonish portrayals in shows like Six Feet Under and Queer as Folk. Transamerica, though, shines a new light on the transsexual set…but I digress. Brokeback's being touted as "daring," but I don't get how it is so. It's this "feel-good" movie – for Hollywood. Do you think a gay story with a happy ending is still far away?

TC: I disagree – I don’t think Six Feet Under and Queer as Folk were cartoonish. The latter maybe was soap-opera-ish, but why the hell not? It’s sexy stuff. And the former was some of the most poignant and real writing on TV, with the gays, as well. They weren’t mainstream like Brokeback is though. They were cable shows with cult-like audiences. Brokeback is yet another big-screen stab at portraying gay life in this country. But, like Philadelphia and The Birdcage before it, Brokeback joins the insulting parade of, if you’re gay, you: A) Have AIDS, B) wear a dress, C) die tragically, or D) all of the above. It’s sickening.

True. Let's talk about the acting a little. Personally, I think Heath did a tremendous job. And Jake was so quietly and increasingly angry and frustrated. What did you make of them?

TC: Heath was magnificent. He’s really woken up with this role. I guess he got tired of hanging out with Tara Reid in bathroom stalls. Oddly, he’s the one I was most moved by, as he’s the more stoic of the two – I mean, Jake was ready to settle down and buy a house together after the first time he got poked! Oh, please. I thought Heath was great portraying a gay man who didn’t want to be a gay man. There’s so many of them around in real life today, it’s just depressing to watch, at least for me.

You’re terrible.... Heath was immersed in the role. Could it have been because Michelle Williams was giving him something to be inspired by? [Ledger and Williams met on set and are now married.] Isn't it funny that of the Dawson's Creek alumni, she's the one posed to perhaps win an Oscar the first? I would've bet on Katie Holmes, but not anymore.

TC: Don’t hold your vitamin-charged breath, but remember, everybody said the same thing about Nicole when she and Tom Cruise first hooked up, and look at what happened with that broad! Yes, Michelle’s great, but it’s just such a puny role.

She was so raw and intense, though, unlike Anne Hathaway and her bad wig. Love the two broads, but their characters, too, suffer from this disappointing case of arrested development the movie seems to have plenty of. For every "daring" move, one oh-so tamed followed. Can you tell I didn't find this movie satisfying or what!

TC: Hey, lay off Anne’s wig. I’m from Texas – hair’s important to us. Aren’t you gay? Don’t you know things like that?

I'm just saying a little aging makeup would've helped – how’s that for gay? Let me tell you about what else I did like. I liked how honest Jack was. He knew his love life was to be limited, but he still went for it. And I agree with what you said about Heath’s portrayal. And I liked especially how their love was shown to be real and enduring in spite of everything else. Love's a funny thing, no?

TC: I wouldn’t know. Can’t we switch gears back to hair and homophobia? I seem to have more experience there.

Oh, come on. Do you think the movie will show come Oscar time? Cold Mountain didn't, and Brokeback is very Cold Mountain (the pedigreed filmmakers and actors, the doomed-lovers story, the majestic scenery…).

TC: Yeah, but, don’t forget the all-enticing homo card, which – when "straight" actors are playing the roles – the Academy loves! Cold Mountain didn’t have that – it just had Nicole’s Botox. Remember, the Academy has a friggin’ orgasm every time the heteros play us as murderers, victims, perverts, deviants, cross-dressers, and just plain freaks. Can you say Hilary Swank or Charlize Theron?

I can, and I'll you raise you a Tom Hanks. Going back to Michelle's chances, I got two words for you: Judi Dench. She pulled quite the upset when she won for her 10 minutes in Shakespeare in Love. Heath's performance is quite strong, and though he's not in my Top 5 of the year, he's in the short list. It's been a very gay year at the movies, wouldn't you say, with Capote, Brokeback, and Transamerica. Is it a trend or is it progress?

TC: It’s guilt. Hollywood realizes it’s shoving it to the pooftahs every once in a while – so it puts out the obligatory Philadelphia or Kevin Kline flick [In & Out], then it’s back to self-hating gay Hollywood exec biz as usual.

It’s a grim outlook but oh-so real. I know a lot of people in the GLBT community are beside themselves with this one coming out, but I can't help but see right through it. It's a fantastic story to tell, but something was missing, one pivotal scene, you know, some warmth. I do recognize, however, the message the movie sends out, that love is this force of nature that can’t be helped. The "gay cowboy movie" thing that surrounds Brokeback is both its best asset and its worst liability – so sensational, so salacious, so periphrastic.

TC: It’s homo-lite. No wonder the self-hating fruits are singing its praises: it still allows them to stay in the closet – don’t be too threatening, now! – and yet hook into some sort of pathetic self-esteem-raising, politically correct carousing in the process. It’s so predictable. And, yes, I agree; there needed to be at least one self-affirming scene of warmth, something to at least make us believe why these men would keep meeting on the sly for all those years. Wasn’t there. Just like the soul of the movie wasn’t there.

So, for as much as Brokeback Mountain disappointed me, I’m glad it’s out there. I suppose I come from a generation that’s less and less rattled by gay-ness, which is why that "gay cowboy movie" thing bothers me so. The movie’s got plenty of heart, but that heart, much like the characters, isn’t allowed to beat.


My Rating **1/2

Photos: Focus Features.
Awards Season Is On - The Golden Globes

You can find the nominations for the 63rd Annual Golden Globes here.

I would totally post them myself, but A) that would be too much work, and B) I'm kind of mad at the TV snubs. Where was Veronica Mars (and its star Kristen Bell)?

How about Gilmore Girls (and that show's Lauren Graham, Alexis Bledel, and Kelly Bishop)? Or The Closer, or Arrested Development?

Friday, December 16, 2005

Awards Season Is On - The National Board of Review

Here's the rundown of some of the winners as selected by the National Board of Review:

Film: Good Night, and Good Luck
Actor: Philip Seymour Hoffman, Capote
Actress: Felicity Huffman, Transamerica
Supporting Actor: Jake Gyllenhaal, Brokeback Mountain
Supporting Actress: Gong Li, Memoirs of a Geisha
Director: Ang Lee, Brokeback Mountain
Adapted Screenplay: Syriana
Original Screenplay: The Squid and the Whale
Ensemble Acting: Mrs. Henderson Presents
Breakthrough Performance – Actor: Terrence Howard, Crash, Get Rich or Die Tryin', Hustle & Flow
Breakthrough Performance – Actress: Q'Orianka Kilcher, The New World

Photos: The Weinstein Company (Transamerica); Paramount Classics (Hustle & Flow).
Awards Season Is On - The New York Film Critics Circle Awards

Here's a look at some of the winners of the 71st Annual New York Film Critics Circle Awards:

Picture: Brokeback Mountain
Actor: Heath Ledger, Brokeback Mountain
Actress: Reese Witherspoon, Walk the Line
Supporting Actor: William Hurt, A History of Violence
Supporting Actress: Maria Bello, A History of Violence
Director: Ang Lee, Brokeback Mountain
Screenplay: The Squid and the Whale


Photo: New Line Cinema.
Awards Season Is On - The American Film Institute

Here's AFI's official selections for Movies of the Year (listed alphabetically):

Brokeback Mountain
Capote
Crash
The 40-Year-Old Virgin
Good Night, and Good Luck
A History of Violence
King Kong
Munich
The Squid and the Whale
Syriana


Photos: Focus Features (Brokeback Mountain); Universal Pictures (The 40-Year-Old-Virgin).
Awards Season Is On - The 2005 Broadcast Film Critics Association

Nominees for the 11th Annual Critic’s Choice Awards include:

Best Picture: Brokeback Mountain, Capote, Cinderella Man, The Constant Gardener, Crash, Good Night, and Good Luck, King Kong, Memoirs of a Geisha, Munich, Walk the Line.

Best Actor: Russell Crowe (Cinderella Man), Philip Seymour Hoffman (Capote), Terrence Howard (Hustle & Flow), Heath Ledger (Brokeback Mountain), Joaquin Phoenix (Walk the Line), David Strathairn (Good Night, and Good Luck).

Best Actress: Joan Allen (The Upside of Anger), Judi Dench (Mrs. Henderson Presents) Felicity Huffman (Transamerica), Keira Knightley (Pride & Prejudice), Charlize Theron (North Country), Reese Witherspoon (Walk the Line).

Best Supporting Actor: George Clooney (Syriana), Kevin Costner (The Upside of Anger), Matt Dillon (Crash), Paul Giamatti (Cinderella Man), Jake Gyllenhaal (Brokeback Mountain), Terrence Howard (Crash).

Best Supporting Actress: Amy Adams (Junebug), Maria Bello (A History of Violence), Catherine Keener (Capote), Frances McDormand (North Country), Rachel Weisz (The Constant Gardener), Michelle Williams (Brokeback Mountain).

Best Writer: Noah Baumbach (The Squid and the Whale), George Clooney, Grant Heslov (Good Night, and Good Luck), Dan Futterman (Capote), Paul Haggis, Bobby Moresco (Crash), Larry McMurtry, Diana Ossana (Brokeback Mountain).

Best Director: George Clooney (Good Night, and Good Luck), Paul Haggis (Crash), Ron Howard (Cinderella Man), Peter Jackson (King Kong), Ang Lee (Brokeback Mountain), Steven Spielberg (Munich).

Photos: 20th Century Fox (Walk the Line); New Line Cinema (The Upside of Anger); Warner Independent Pictures (Good Night, and Good Luck).

Awards Season Is On - The L.A. Critics Association

The L.A. Critics Association announced their picks for the best of 2005; here are some of the winners:

Best Picture: Brokeback Mountain
Best Actor: Phillip Seymour Hoffman (Capote)
Best Actress: Vera Farmiga (Down to the Bone)
Best Supporting Actor: William Hurt (A History of Violence)
Best Supporting Actress: Catherine Keener (Capote, The Ballad of Jack & Rose, The 40-Year-Old Virgin, The Interpreter)
Best Director: Ang Lee (Brokeback Mountain)
Best Screenplay: (tie) Capote and The Squid and the Whale
Best Foreign Language Film: Caché
Best Documentary: Grizzly Man
The New Generation Award: Terrence Howard (Hustle & Flow).

Photo: Sony Pictures Classics.


Saturday, October 08, 2005

Madonna Is Coming Soon (Again)

Oh, yeah! 

The Queen of Pop is about to release a new record titled Confessions on a Dance Floor, which is supposed to be less "preachy" and more fun than her previous effort, American Life.

Now, I actually liked American Life, so I kind of don't see the point, when some people say that this is a comeback to her old self. For sure, for a while there, Madonna was writing and putting out music that was a little bit more personal and already quite confessional – and tremendously beautiful (listen to "Nothing Fails," "Intervention," and "X-Static Process," if you don't believe me) – but perhaps too serious-minded for those that like their Madonna a bit more light-hearted (do you think she's satisfied?).

This is why I think it's a little bit funny that she should choose to call her new album Confessions on a Dance Floor, because at this point, we all know how she felt growing up without her mother (check out "Mother and Father"), that she's no longer a Material Girl, that she has a family that she loves, and that a significant part of her life is devoted to the pursuit of spiritual enlightenment.

So what more could Madonna confess at this stage in the game? That's what I'm obviously keen to find out, and come Nov. 15, we all will.

If the preview that's playing on her website is a clue at all, then Madonna's most telling confession is going to be, indeed, an "unapologetic" desire to have fun.

Photo: Amazon.com.

Update: "Get Together," "Future Lovers," and "Jump" rock my world. This album is so much fun!

Friday, October 07, 2005

How Come Arrested Development Is in Trouble?

Arrested Development has got to be the funniest, most offbeat, most genius comedy on TV right now, and it is lagging in the ratings.

It follows the misadventures of the wacky Bluth family, who lost everything in an Enron-type scandal, and the one "normal" son, Michael (played by Jason Bateman), who has to keep them together.

The show co-stars Portia de Rossi, Will Arnett, the incomparable Tony Hale, David Cross, Jeffrey Tambor, and the invaluable Jessica Walter – and they are all tremendously talented and funny.

It won an Emmy after its first season, much to the industry's surprise, and the show's second season featured a fantastically hilarious episode called "Motherboy XXX" that's simply a gem. Both Season 1 and Season 2 are available on DVD right now, so go get'em!

People are often complaining that sitcoms aren't funny anymore, or that networks are insulting viewers by putting crap out there.

Yet here's a great show that's being overlooked for whatever reason and would totally debunk any notion that the sitcom is dead (though Fall 2005's offerings have so far surpassed every expectation – I would like to think Arrested Development paved the way a little bit).

So, people, start watching!

Photo: Amazon.com.

Update: Well...now that the show has been axed – good going, people! – you must, must, must rent Season 1 and Season 2 on DVD. Arrested Development is the funniest thing you have probably never seen.

Thursday, October 06, 2005

Welcome To My Blog!

I resisted it much at first, but here I am...blogging. Now that I'm doing this, I'm going to have even less time to hang out with real people. Great.

I'm going to try to keep this as up to date as possible, always posting my latest reviews and random thoughts on pop culture and what, but if you don't hear from me, e-mail me at moviemartin@hotmail.com.

And thanks for checking this out...

M.H.